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Alien: Romulus
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Alien: Romulus is a 2024 science fiction horror film directed by
Fede Álvarez who co-wrote the script with Rodo Sayagues. Produced by
it is part of the Alien franchise, set between the events of Alien
(1979) and Aliens (1986). The film stars Cailee Spaeny, David Jonsson,
Archie Renaux, Isabela Merced, Spike Fearn, and Aileen Wu as six
downtrodden young space colonists who encounter hostile creatures while
scavenging a derelict space station in which they plan to navigate to
another planet.

At CinemaCon in April 2019, 20th Century Studios (then-named 20th
Century Fox) announced plans to produce future Alien films. Álvarez was
attached as director in March 2022, and Spaeny joined as the lead later
that year. Filming took place from March to July 2023.

Alien: Romulus premiered in Los Angeles on August 12, 2024, and was
theatrically released in the United States by 20th Century Studios on
August 16. The film grossed $350.9 million worldwide and received
positive reviews. It has received several industry nominations, namely
for its technical aspects, including an Academy Award nomination for
Best Visual Effects. A sequel is in development.

Contents

β€’ Plot
β€’ Cast
β€’ Production
β€’ Development
β€’ Casting
β€’ Filming
β€’ Music
β€’ Marketing
β€’ Release
β€’ Theatrical
β€’ Home media
β€’ Reception
β€’ Box office
β€’ Accolades
β€’ Tie-in media
β€’ Future
β€’ Notes
β€’ References

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Plot

In 2142, a Weyland-Yutani probe recovers a large cocoon from the
wreckage of the USCSS Nostromo.cite-ref-4[a] Months later, at the rundown
Jackson's Star colony on the perpetually dark planet LV-410, orphaned
colonist Rain Carradine discovers that Weyland-Yutani has forcibly
extended her work contract. Determined to escape, she teams up with her
adopted brother Andy (a malfunctioning android reprogrammed by her
father), her ex-boyfriend Tyler, his pregnant sister Kay, their cousin
Bjorn, and Bjorn's adopted sister Navarro. The group commandeers the
hauler Corbelan IV to reach Renaissance, a seemingly abandoned
Weyland-Yutani station split into the modules Romulus and Remus,
intending to steal cryostasis equipment to survive the nine-year journey
to Yvaga III, an apparently idyllic planet unaffiliated with
Weyland-Yutani.

Bjorn taunts Andy with the fact that Yvaga III does not allow androids,
meaning he will have to remain behind, leaving Rain guilt-ridden. Tyler
and Bjorn attempt to retrieve cryostasis fuel but unintentionally
trigger a lockdown and release dozens of facehugger parasites. In
desperation, Rain upgrades Andy's security access with a control chip
from the station's damaged science officer android, Rook. However, this
reprogramming shifts Andy's loyalty from Rain to Weyland-Yutani. Andy
leads the group to safety, but not before a facehugger impregnates
Navarro.

Rain reactivates Rook, who reveals that the cocoon contained the
xenomorph that killed most of the Nostromo's crew. Renaissance
scientists experimented on the alien, reverse bioengineering the
facehuggers. However, the xenomorph escaped and massacred most of the
crew; those remaining died when the xenomorph was killed, as its acidic
blood melted through Remus's hull, causing explosive decompression.

Bjorn attempts to flee with Navarro and Kay on the Corbelan, but an
infant xenomorph bursts from Navarro's chest, killing her and causing
the Corbelan to crash into Romulus's hangar, accelerating the station's
inevitable collision course with LV-410's planetary rings. While the
infant xenomorph rapidly gestates into its adult form, Bjorn injures it
with a stun baton and is sprayed with its blood, which kills him. Kay
escapes into Romulus, pursued by the creature. Rain and Tyler attempt to
rescue her, but Andy suspects the xenomorph is using her as bait, and
refuses to open the door separating them. Helpless, they watch as the
xenomorph takes Kay.

Rook instructs Andy to retrieve Z-01, a potent fluid harvested from the
facehuggers that can rapidly rewrite and adapt DNA. Rook intends to use
it to create genetically perfect humans capable of thriving in space. He
orders that it be taken to Jackson's Star, or he will not release the
Corbelan. Rain and Tyler arm themselves with rifles, but Andy warns them
against injuring the xenomorph to avoid another explosive decompression.

The group discovers a xenomorph nest, where they rescue a badly injured
Kay. Andy offers her a dose of Z-01, which allows her to heal rapidly.
Hordes of facehuggers and xenomorphs attack them, and Tyler sacrifices
himself to protect Rain and Kay while Andy is incapacitated. Rain drags
Kay to safety and returns to rescue Andy, restoring his original
programming. With xenomorphs and facehuggers surrounding them, Rain
disables the station's gravity, allowing her to shoot them without their
blood touching the hull. As the gravity reactivates, Rain is confronted
by the Navarro xenomorph, but Andy intervenes and kills it. Rain and
Andy escape aboard the Corbelan as Renaissance is destroyed by LV-410's
rings.

As Rain and Andy prepare for their trip to Yvaga, Kay gives birth to a
human–xenomorph hybrid mutated by the Z-01. The hybrid kills Kay and
disables Andy before Rain ejects it into LV-410's rings, disintegrating
it. After recording an audio log, Rain and Andy enter cryostasis, hoping
to reach Yvaga III alive.

Cast

β€’ Cailee Spaeny as Marie Raines "Rain" Carradine, an orphaned minercite-ref-spaenymerced-5-0[4]
β€’ David Jonsson as Andy, an android reprogrammed by Rain's late father
as her surrogate brothercite-ref-castroundout-6-0[5]
β€’ Archie Renaux as Tyler Harrison, Rain's ex-boyfriendcite-ref-castroundout-6-1[5]
β€’ Isabela Merced as Kay Harrison, Tyler's younger sister who is
pregnantcite-ref-spaenymerced-5-1[4]
β€’ Spike Fearn as Bjorn, Tyler and Kay's cousin who lost his mother to an
androidcite-ref-castroundout-6-2[5]
β€’ Aileen Wu as Navarro, a pilot and Bjorn's adopted sistercite-ref-earl-7-0[6]cite-ref-4-8-0[7]

Rook, an android science officer on board the Romulus, is voiced by
Daniel Betts, while his physical appearance is based on the likeness of
the late Ian Holm, who portrayed the android Ash in
the original film.cite-ref-9[8] After securing permission from Holm's estate, Rook
was realized by effects company Legacy Effects, who created an
animatronic head and torso based on a headscan Holm had made during the
production of The Lord of the Rings film trilogy. For certain shots, the
practical character was also enhanced by CGI and deepfake AI technology
from the CGI company Metaphysic, such as for lip syncing lines or
enhancing its nose and eyes.cite-ref-rookeffect2-10-0[9]cite-ref-rookeffect-11-0[10] Betts' dialogue recordings were then
modified with the filtering software Speecher, to be based on Ash's
dialogue pulled from the original Alien.cite-ref-rookeffect2-10-1[9]

Trevor Newlin portrays the xenomorph,cite-ref-12[11] while the human–xenomorph
hybrid (credited as the "Offspring") is portrayed by Romanian former
basketball player Robert Bobroczkyi.cite-ref-3-13-0[12] To portray the Offspring,
Bobroczkyi wore full body prosthetic makeup created by Legacy Effects,
with the exception of the creature's tail which was CGI.cite-ref-offspring-14-0[13]cite-ref-offspring2-15-0[14]cite-ref-offspring3-16-0[15]

Production

Development

20th Century Fox confirmed at the 2019 CinemaCon that future Alien films
were in development.cite-ref-17[16] In March 2022, it was reported that
Fede Álvarez would write and direct a seventh Alien film after pitching
his own story, said to be "unconnected" to the previous films in the
franchise, with the project set to be released on Hulu.cite-ref-hulu-18-0[17] Álvarez
later clarified that the film was not a standalone story.cite-ref-thrinterview-19-0[18] The film
was said to take place between the events of Alien (1979) and Aliens
(1986), with some technical crew members returning from the latter
film.cite-ref-between-20-0[19]

Álvarez stuck as close as possible to the established canon of the film
series and used the fan wiki Xenopedia as a reference point while
writing the story.cite-ref-21[20] The film features connections and references to
all of the six prior Alien filmsβ€”Alien, Aliens, Alien 3 (1992),
(2017)β€”in some capacity.cite-ref-22[21]cite-ref-eastereggs-23-0[22] In particular, the film ties directly
to Alien and Prometheus, with Weyland-Yutani recovering the xenomorph
that attacked Ellen Ripley in Alien from the USCSS Nostromo, an android
named Rook who physically resembles Ash from the first film, and the
"black goo" from Prometheus that gives birth to a human–xenomorph hybrid
resembling an Engineer from Prometheus and the creature from the ending
of Resurrection.cite-ref-eastereggs-23-1[22]cite-ref-blackgoo-24-0[23]cite-ref-25[24] Rook appears via an animatronic with the
likeness of the late Ian Holm, who previously portrayed Ash. Álvarez
confirmed the connections to Prometheus and stated that the hybrid's
resemblance to the Engineers was intentional; this was done to bridge
the gap between the prequels and the original films.cite-ref-prometheus-26-0[25]cite-ref-27[26] The film
also draws inspiration from the video game Alien: Isolation (2014).cite-ref-28[27]
This involved integrating the emergency phone registration points from
the game into the film's set design. These phones, which functioned as
save points in the game, served as easter eggs that would foreshadow
impending danger for the audience.cite-ref-easter-29-0[28] The pregnancy of character Kay
was inspired by Dina from The Last of Us Part II (2020) due to Álvarez
playing the game while writing the film.cite-ref-30[29]cite-ref-31[30] The story centers on
three pairs of siblings, whether blood relatives or
found family.cite-ref-32[31]cite-ref-33[32]

Casting

By November 2022, Cailee Spaeny had entered negotiations to star.cite-ref-34[33] In
March 2023, Isabela Merced was set to co-star opposite Spaeny.cite-ref-spaenymerced-5-2[4] Later
that month, David Jonsson, Archie Renaux, Spike Fearn, and Aileen Wu
joined the cast.cite-ref-castroundout-6-3[5] Renaux also auditioned for Jonsson's role and was
secretly cast in December 2022; while Fearn was cast in February 2023
after two quick self tapes. Fearn initially tried to do an American
accent but the director asked him to keep his own British accent.cite-ref-35[34]

Filming

Principal photography took place in Budapest from March 9 to July 3,
2023,cite-ref-37[36]cite-ref-38[37]cite-ref-39[38] utilizing unique locations including a working power
plant for the Jackson's Star mining colony.cite-ref-productiondesigner-36-1[35] Production designer
Naaman Marshall aimed to reinterpret the Alien world while honoring the
franchise's legacy, particularly the first two films in the series.cite-ref-productiondesigner-36-2[35]
As such, the Romulus section of the Renaissance space station was
designed to be reminiscent of the set design seen in the film Alien and
the video game Alien: Isolation, influenced by the original Alien
concept art by Ron Cobb, as well as industrial heavy-lift machinery and
vehicles.cite-ref-productiondesigner-36-3[35] Meanwhile, the more advanced Remus section was designed to
be reminiscent of the production design depicted in the film Aliens.cite-ref-productiondesigner-36-4[35]
Sets were built as enclosed spaces, with the cockpit of the Corbelan IV
hauler built on a gimbal to simulate flight.cite-ref-productiondesigner-36-5[35]

The film was filmed chronologically and emphasized practical effects,
using physical sets and creature designs to enhance realism.cite-ref-40[39] This
approach focused on creating a tangible, immersive experience,
contrasting with the heavier reliance on CGI in modern
productions.cite-ref-ringer-big-picture-41-0[40]cite-ref-rookeffect2-10-2[9] To that end, effects companies Legacy Effects,
Studio Gillis, and WΔ“tā Workshop created the film's practical adult
Xenomorphs, chestbursters and facehuggers, respectively,cite-ref-prac1-42-0[41]cite-ref-prac2-43-0[42]cite-ref-prac3-44-0[43] and
the production would alternate between using animatronics, rod puppets
or creature suits depending on the amount of movement required for the
shot.cite-ref-prac1-42-1[41]cite-ref-aliendesign-45-0[44] The Xenomorph was made to more closely resemble
H. R. Giger's original Alien design from the first film, rather than
designs from the sequels.cite-ref-aliendesign-45-1[44] However the Xenomorphs' design was altered
to feature serrated skin resembling that of a shark, to give the
impression that someone could be cut just by touching it.cite-ref-46[45] Filmefex
Studios created the prosthetic makeup for the actors as well as the
film's dead bodies, while a sequence showing time lapse security footage
of a rat being crushed and regenerated was stop motion animation created
by Phil Tippett.cite-ref-laweekly-47-0[46] One notable design element is the pulse rifle,
which merges features from the original Alien flamethrower and the
Aliens pulse rifle. This hybrid design reflects the film's intent to
blend elements from both films, creating something familiar yet new.cite-ref-ringer-big-picture-41-1[40]

Cinematographer Galo Olivares shot the film using Arri Alexa 35 digital
cameras with Arri Master Prime and Ultra Prime aspheric lenses for a
2.39:1 aspect ratio.cite-ref-lens-48-0[47]cite-ref-arri-49-0[48] This was chosen to be a visual balance
between Alien, which was shot using anamorphic lenses in a 2.39:1 aspect
ratio, and Aliens, which was filmed using aspheric lenses for a 1.85:1
aspect ratio.cite-ref-lens-48-1[47] Olivares would begin filming scenes with
wide angle lenses, and gradually switch to increasingly longer lenses as
scenes became more intense, with a 75mm lens being the longest lens
used.cite-ref-lens-48-2[47] Álvarez selected an orange hue as the film's defining color,
diverging from the blue tones of earlier "Alien" films. This choice
aimed to give the film a distinct visual identity while maintaining a
connection to the franchise's established aesthetic.cite-ref-ringer-big-picture-41-2[40]

Álvarez consulted Alien director Ridley Scott and Aliens director
James Cameron during the film's production, who both expressed
approval.cite-ref-thrinterview-19-1[18]

Post-production

The film's computer generated imagery was created by effects studios
WΔ“tā FX, Wylie Co., Atomic Arts, and Metaphysic.cite-ref-cgi-50-0[49] Effects supervisor
Nelson Sepulveda-Fauser said that Alvarez's emphasis on tangible
elements built out of practical effects meant that "everything else that
we needed to build in computer graphics had to work around that, and
integrate into photography seamlessly.” For the Xenomorphs themselves,
the digital versions were used for actions unfeasible with Legacy
Effects's puppets β€” "we can’t get a practical creature of that size to
perform some of the movements required for an action sequence" β€” with
the motions being unsettling while not over-exaggerated, such as the
Xenomorphs slowly crawling on walls. While the creature movements tried
to mostly be close to the original films, the Facehuggers were faster
and more fluid to overcome the technical limitations of the animatronic
versions and make the scene more exciting. Two particularly complex
effects were Navarro using an x-ray wand to discover a Chestburster,
that required a reproduction of the character's internal anatomy, and
the acid blood floating in zero gravity.cite-ref-51[50]

Visual effects artist Ian Hunter created miniature effects for the film,
in collaboration with the effects company Pro Machina and its founders
Alec Gillis, Camille Balsamo-Gillis, and Reid Collums.cite-ref-prommachina-52-0[51] This
consisted of the spaceship Corbelan IV and the Weyland-Yutani Echo
probe. These effects would be either filmed directly, or scanned into a
computer for CGI modeling.cite-ref-productiondesigner-36-6[35]cite-ref-miniature-53-0[52]cite-ref-miniature2-54-0[53] Originally the miniatures were
only designed to work as visual effect aids; however, the miniatures
were eventually built, painted and finished by effects company Studio
Gillis and shot in front of full screens and smoke.cite-ref-productiondesigner-36-7[35] Filming of
miniatures took place in Los Angeles to facilitate the required stage
space, crew members and amenities.cite-ref-productiondesigner-36-8[35]

Music

The score was composed by Benjamin Wallfisch.cite-ref-55[54] The score features
themes and cues from Alien, composed by Jerry Goldsmith; Aliens,
composed by James Horner; and the tracks 'Life' and 'We Were Right' from
Prometheus, composed by Harry Gregson-Williams.cite-ref-56[55] The composition
"Entry of the Gods into Valhalla" from Richard Wagner's Das Rheingold,
which was heavily featured in Alien: Covenant, is also heard.cite-ref-57[56] The
soundtrack album was released by Hollywood Records on August 16.cite-ref-soundtrack-58-0[57] A
vinyl edition of the soundtrack, featuring six bonus tracks, was
released on November 15, 2024.cite-ref-59[58]cite-ref-60[59]

Marketing

After early reviews found the third act to be divisive, Disney promptly
created digital ads to generate buzz by urging audiences to watch the
movie before hearing spoilers about the ending. The marketing was
reliant on the legacy of the Alien brand, with the first trailer on
March 20 amassing nearly 50 million views in 24 hours. Cinema
partnerships offered customized food, beverage items, and life-size
xenomorph statues, which were widely shared on social media. These
products also included a popcorn bucket, part of a trend after
earlier in the year. The campaign also extended across Disney's
platforms, with takeovers on ESPN SportsCenter, Alien marathons on FX,
and prominent placement on Hulu and Disney+. Promotional tie-ins
included limited edition Reebok x Aliens shoes, Alien-themed beer from
Angel City Brewery, and cosmetics from Phoenix Rising. Additionally, the
franchise offered consumer products and hosted a partnership with the
video game Dead by Daylight, which featured a new character tied to the
film's release. Marketing efforts capitalized on the franchise's legacy,
according to Deadline Hollywood, with 52% of audiences polled by Screen
Engine and Comscore PostTrak citing their love for the series as the
main reason for watching the movie on opening weekend.cite-ref-opening-61-0[60]

Release

Theatrical

Alien: Romulus was originally intended to be released directly on
Hulu,cite-ref-hulu-18-1[17] but Walt Disney Studios Motion Pictures moved the film to a
theatrical release shortly before filming commenced.cite-ref-thrinterview-19-2[18]cite-ref-streak-62-0[61] The film
held its world premiere in Los Angeles on August 12, 2024,cite-ref-63[62] and
screened at the Edinburgh International Film Festival on August 15 for
its British premiere. It was released by 20th Century Studios in the
United States and United Kingdom the following day, on August 16.cite-ref-64[63]

Home media

Alien: Romulus was released through digital download on October 15,
2024, and was released on Ultra HD Blu-ray, Blu-ray, and DVD on December
3, by Sony Pictures Home Entertainment. The Blu-ray versions include
deleted scenes and behind-the-scenes featurettes.cite-ref-65[64] The film also
received a limited release on VHS on the same date, making it the first
installment in the series to receive an official release on the format
since Alien vs. Predator (2004), as well as the first major Hollywood
film to do so since 2006.cite-ref-66[65]

The film ranked No. 7 on iTunes and No. 5 on Fandango at Home for the
week ending October 28, 2024.cite-ref-67[66] Alien: Romulus retained its No. 1
position on both the Circana VideoScan sales chart, which tracks
combined DVD and Blu-ray Disc sales, and the dedicated Blu-ray Disc
sales chart for the week ending December 14, 2024. It also remained No.
1 on the 4K disc chart.cite-ref-68[67] The film was the top-selling physical media
title for December 2024, according to Circana's VideoScan. It spent two
weeks at No. 1 after its release on December 3, 2024. The film also
topped the 4K disc chart and retained the No. 1 spot on both the
combined DVD and Blu-ray sales charts.cite-ref-69[68]

Nielsen Media Research, which records streaming viewership on U.S.
television screens, calculated that Alien: Romulus was watched for 325
million minutes from November 18β€”24, 2024.cite-ref-70[69]cite-ref-71[70] The streaming
aggregator Reelgood, which tracks real-time data from 20 million U.S.
users for original and acquired content across SVOD and AVOD services,
reported that Alien: Romulus was the third most-streamed program from
November 21β€”27, 2024.cite-ref-72[71]

Reception

Box office

Alien: Romulus grossed $105.3 million in the United States and Canada,
and $245.5 million in other territories, for a worldwide total of $350.9
million.cite-ref-bom-3-1[3]cite-ref-num-2-1[2] The film made $40 million from global IMAX, making it the
highest-grossing horror film in the format.cite-ref-73[72]cite-ref-74[73]

In the United States and Canada, Alien: Romulus was projected to gross
$28–40 million in its opening weekend, with some estimates going as high
as $45–55 million.cite-ref-streak-62-1[61]cite-ref-75[74]cite-ref-76[75] The film made $18 million on its first
day, including $6.5 million from Thursday night previews.cite-ref-77[76] It went on
to debut to $42 million, topping the box office.cite-ref-78[77] The three-day
opening included an estimated 2.7 million admissions and was the
second-highest for the franchise and a record for director Fede Álvarez
(beating the $26.4 million earned by 2016's Don't Breathe) and actress
Cailee Spaeny (surpassing the $28.1 million earned by 2018's
Pacific Rim Uprising). When asked about the biggest factors in watching
the film, audiences polled by PostTrak listed the in-theater trailer
(21%), online trailer (13%), and word of mouth (13%).cite-ref-opening-61-1[60] In its second
weekend, the film made $16.4 million, a drop of 61%, finishing behind
holdover Deadpool & Wolverine.cite-ref-deadline-aug25-79-0[78]cite-ref-80[79] In just two weekends, the film
became the second highest-grossing horror film in IMAX with $31.2
million, only behind Prometheus ($31.8 million).cite-ref-deadline-aug25-79-1[78]

Outside the United States and Canada, the film made $68.1 million from
international markets in its opening weekend for a global $110.1 million
debut, which The New York Times listed as a success.cite-ref-the-new-york-times-alien-romulus-81-0[80] Its
international gross included $25.7 million from China, which
Deadline Hollywood called an "over-performance".cite-ref-82[81] It was the second
highest-grossing Hollywood film in China of the year with $110 million,
behind Godzilla x Kong: The New Empire.cite-ref-83[82]cite-ref-deadline-aug25-79-2[78]cite-ref-84[83]

Critical response

Alien: Romulus received positive reviews from critics.cite-ref-85[84]cite-ref-86[85]cite-ref-87[86]cite-ref-88[87]
The review aggregator website Rotten Tomatoes reported that critics
praised the film's "striking visuals and claustrophobic terror with gory
action and a formidable lead performance from Cailee Spaeny", calling it
"arguably the best installment since Aliens".cite-ref-89[88] On the website, 80% of
392 critics gave the film a positive review, with an average rating of
6.9/10. Its critics consensus reads: "Honoring its nightmarish
predecessors while chestbursting at the seams with new frights of its
own, Romulus injects some fresh acid blood into one of cinema's great
horror franchises."cite-ref-90[89] According to Metacritic, the film received
"generally favorable" reviews based on a weighted average score of 64
out of 100 from 57 critics.cite-ref-91[90] Audiences polled by CinemaScore gave the
film an average grade of "B+" on an A+ to F scale, while those surveyed
by PostTrak gave it an 82% positive score, with 65% saying they would
definitely recommend it.cite-ref-opening-61-2[60]

Jordan Hoffman of Entertainment Weekly praised the film's direction,
design, and writing, calling it "impressive, however, especially in how
it looks like a new movie but is simpatico with the tech of the 1979
original" and deemed Spaeny "the finest weapon in the arsenal...
differentiating herself quite a bit from the doe-eyed characters she
played in Civil War and Priscilla. Her petite nature may not scream
action hero, but, as has long been established, in space, no one can
hear you scream anyway."cite-ref-92[91] Owen Gleiberman of Variety called Alien:
Romulus "one of the best Alien sequels... It delivers the slimy
creep-out goods in a way that none of the last three Alien films have."
He further wrote that "Spaeny, with her clear eyes and serene resolve,
makes her presence felt as Rain, the closest equivalent here to the
fearless Ripley."cite-ref-93[92]

James Mottram, in a five star review for NME, described the film as
"thrilling and scary" and coming "close to the brilliance of Ridley
Scott and James Cameron". He praised the production design, digital
work, practical and visual effects and the score. Mottram described the
performance of Jonsson as Andy as a "stand-out"cite-ref-nme-94-0[93] a view shared by
Clarisse Loughrey writing for The Independent.cite-ref-indreview-95-0[94]

Mick LaSalle of the San Francisco Chronicle criticized the film,
writing: "The first 45 minutes are boring beyond description. [...] The
script has the aliens waking up and falling asleep at the convenience of
the screenwriters, not in a way that makes consistent sense. [...] The
foundational mistake came when someone said, 'Hey, let's make another
Alien movie.' News flash: The alien concept is dead. Leave it alone, and
leave poor Ian Holm out of it."cite-ref-96[95] David Ehrlich of Indiewire wrote:
"The director would rather torture his cast than develop their
characters. There's nothing inherently wrong with that trade-off, but
Álvarez doesn't satisfy the first half of the equation well enough to
justify his disregard for the second. High on jolts [...] and low on
more probing scares, Romulus isn't nearly inventive enough to forefront
its slaughter at the expense of its soul."cite-ref-97[96] Bilge Ebiri, writing for
Vulture, expressed disappointment in the film's lessened ambition in
comparison with other installments, stating that it is "a film
engineered mostly to provide some basic genre thrills and keep the IP
alive so that the now-Disney-owned Fox can generate more Alien
movies.... Alien: Romulus is diverting enough, but it's also instantly
forgettableβ€”something I don't think I've ever said about any other Alien
film, good or bad."cite-ref-98[97]

Response to Rook's likeness of Ian Holm

The decision to digitally add the late Ian Holm for the character of
Rook was widely criticized.cite-ref-latimes-99-0[98]cite-ref-bbcnb-100-0[99] Wendy Ide of The Guardian called it
"a queasily misguided choice" that was "ghoulish, exploitative,
disrespectful and unnecessary".cite-ref-101[100] In Slate, Sam Adams asked, "Why let
the dead rest when there's IP [intellectual property] to be mined?" He
went on to compare the film's studio to the franchise's villainous
Weyland-Yutani corporation, in that it's "a massive conglomerate that
puts profit ahead of respect for human lives".cite-ref-102[101] Loughrey called it
"ethically problematic" and "cinematic necromancy"cite-ref-indreview-95-1[94] while Jesse
Schedeen for IGN called it an "unforced error" that was "distractingly
bad and completely unnecessary" and which almost ruined the movie.cite-ref-103[102]
Similarly, SlashFilm reviewer Chris Evangelista wrote, "It's distracting
and weird. It never, ever looks real [...] The simple truth here is that
not only does this look bad, it's a bad idea all around".cite-ref-104[103]
The Daily Telegraph critic Tim Robey commented, "One thing I never
thought I'd complain about in 2024 was a film having too much Ian Holm
in it".cite-ref-bbcnb-100-1[99]

Álvarez in response to the backlash compared the use of CGI to recreate
Ian Holm's likeness to other actors' wearing prosthetics to portray
historical figures, such as Gary Oldman as Winston Churchill in
Darkest Hour: "I don't think Churchill wanted that, and I think that's
worse, because that is them pretending to be them... This is not me
pretending it's Ian Holm... It's just the makeup that makes it look like
him."cite-ref-105[104] Reviewer James Mottram praised the digital inclusion saying
that it "works well, both technically and narratively."cite-ref-nme-94-1[93]

The visual effects used to recreate Holm, which were incomplete for the
theatrical release due to time constraints in post-production, were
updated and fixed for the home video release with Álvarez saying "I
convinced the studio we need to spend the money and make sure we give
the companies that were involved in making it the proper time to finish
it and do it right. It's so much better."cite-ref-106[105]cite-ref-107[106]

Accolades

| Award | Date of ceremony |
|---|---|
| Astra Midseason Movie Awards | July 3, 2024 |
| Hollywood Professional Association Awar… | November 7, 2024 |
| Hollywood Professional Association Awar… | November 7, 2024 |
| Astra Film and Creative Arts Awards | December 8, 2024 |
| San Diego Film Critics Society | December 9, 2024 |
| San Diego Film Critics Society | December 9, 2024 |
| San Diego Film Critics Society | December 9, 2024 |
| St. Louis Film Critics Association | December 15, 2024 |
| Alliance of Women Film Journalists | January 2025 |
| Golden Globe Awards | January 5, 2025 |
| Saturn Awards | February 2, 2025 |
| Saturn Awards | February 2, 2025 |
| Saturn Awards | February 2, 2025 |
| Saturn Awards | February 2, 2025 |
| Saturn Awards | February 2, 2025 |
| Saturn Awards | February 2, 2025 |
| Saturn Awards | February 2, 2025 |
| Set Decorators Society of America | February 2, 2025 |
| AACTA Awards | February 7, 2025 |
| Visual Effects Society Awards | February 11, 2025 |
| Golden Reel Awards | February 23, 2025 |
| Golden Reel Awards | February 23, 2025 |
| Academy Awards | March 2, 2025 |
| Critics' Choice Super Awards | August 7, 2025 |
| Critics' Choice Super Awards | August 7, 2025 |
| Critics' Choice Super Awards | August 7, 2025 |

| Award | Category |
|---|---|
| Astra Midseason Movie Awards | Most Anticipated Movie |
| Hollywood Professional Association Awar… | Outstanding Visual Effects – Live Actio… |
| Hollywood Professional Association Awar… | Outstanding Sound – Theatrical Feature |
| Astra Film and Creative Arts Awards | Best Horror or Thriller Feature |
| San Diego Film Critics Society | Best Sound Design |
| San Diego Film Critics Society | Best Visual Effects |
| San Diego Film Critics Society | Best Stunt Choreography |
| St. Louis Film Critics Association | Best Visual Effects |
| Alliance of Women Film Journalists | Best Stunt Performance |
| Golden Globe Awards | Cinematic and Box Office Achievement |
| Saturn Awards | Best Horror Film |
| Saturn Awards | Best Film Direction |
| Saturn Awards | Best Supporting Actor in a Film |
| Saturn Awards | Best Supporting Actress in a Film |
| Saturn Awards | Best Film Production Design |
| Saturn Awards | Best Film Make Up |
| Saturn Awards | Best Film Visual / Special Effects |
| Set Decorators Society of America | Best Achievement in DΓ©cor/Design of a F… |
| AACTA Awards | Best Visual Effects or Animation |
| Visual Effects Society Awards | Outstanding Model in a Photoreal or Ani… |
| Golden Reel Awards | Outstanding Achievement in Sound Editin… |
| Golden Reel Awards | Outstanding Achievement in Sound Editin… |
| Academy Awards | Best Visual Effects |
| Critics' Choice Super Awards | Best Science Fiction/Fantasy Movie |
| Critics' Choice Super Awards | Best Actor in a Science Fiction/Fantasy… |
| Critics' Choice Super Awards | Best Actress in a Science Fiction/Fanta… |

| Award | Recipient(s) | Result |
|---|---|---|
| Astra Midseason Movie Awards | Alien: Romulus | Nominated |
| Hollywood Professional Association Awar… | Ale Melendez, Steven Denyer, Sebastian… | Nominated |
| Hollywood Professional Association Awar… | David V. Butler, Mark Paterson , Polly… | Nominated |
| Astra Film and Creative Arts Awards | Alien: Romulus | Nominated |
| San Diego Film Critics Society | Alien: Romulus | Nominated |
| San Diego Film Critics Society | Alien: Romulus | Nominated |
| San Diego Film Critics Society | Alien: Romulus | Nominated |
| St. Louis Film Critics Association | Eric Barba , Shane Mahan , and Nelson S… | Nominated |
| Alliance of Women Film Journalists | Cailee Spaeny | Nominated |
| Golden Globe Awards | Alien: Romulus | Nominated |
| Saturn Awards | Alien: Romulus | Won |
| Saturn Awards | Fede Álvarez | Nominated |
| Saturn Awards | David Jonsson | Nominated |
| Saturn Awards | Cailee Spaeny | Nominated |
| Saturn Awards | Naaman Marshall | Nominated |
| Saturn Awards | Pam Smyth | Nominated |
| Saturn Awards | Eric Barba, Nelson Sepulveda-Fauser, Da… | Nominated |
| Set Decorators Society of America | Zsuzsanna Sipos , Naaman Marshall | Nominated |
| AACTA Awards | Nelson Sepulveda-Fauser, Jhon Alvarado,… | Nominated |
| Visual Effects Society Awards | Waldemar Bartkowiak, Trevor Wide, Matt… | Won |
| Golden Reel Awards | Will Files, Lee Gilmore, Matt "Smokey"… | Nominated |
| Golden Reel Awards | Will Files, Lee Gilmore, Chris Terhune,… | Nominated |
| Academy Awards | Eric Barba , Nelson Sepulveda-Fauser ,… | Nominated |
| Critics' Choice Super Awards | Alien: Romulus | Nominated |
| Critics' Choice Super Awards | David Jonsson | Nominated |
| Critics' Choice Super Awards | Cailee Spaeny | Nominated |

Tie-in media

A tie-in prequel comic book, bridging the events of Alien and Romulus,
written by Zac Thompson, drawn by Daniel Picciotto and colored by Yen
Nitro, with a cover by Leinil Francis Yu, was published by
Marvel Comicscite-ref-alien-romulus-marvel-123-0[122] on October 23, 2024. The one-shot, simply titled
Alien: Romulus #1,cite-ref-124[123] explores the events that unfolded on the space
station Renaissance, providing context for the alien encounter faced by
Rain, Andy, and their crew aboard the deteriorated spacecraft.cite-ref-125[124]cite-ref-126[125]

Future

Álvarez told Brian Davids of The Hollywood Reporter that he had ideas in
mind for a sequel to Romulus, but did not want to rush into anything,
citing the seven-year gap between the first two films: "We really try to
think about it more in terms of story and if it needs another chapter
and whether people want to know what happens next. So we'll wait to see
what people think and if people ask for it. My philosophy is that you
should never make [a sequel] in two years. You've got to get away.
You've got to get the audience to really want it. If you think about
Alien and Aliens, there's seven years between them. But we definitely
have ideas about where it should go."cite-ref-sequel-thr-127-0[126]

Álvarez also said he was open to directing a third Alien vs. Predator
film, proposing to Melanie Brooks and Anthony D'Alessandro of
Deadline Hollywood that he would enjoy directing it along with
Dan Trachtenberg, the director of the Predator films Prey (2022) and
Predator: Badlands (2025): "Maybe it's something I have to co-direct
with my buddy Dan. Maybe we should do like Quentin Tarantino and
Robert Rodriguez did with From Dusk till Dawn. I'll direct a half, and
he'll direct another half."cite-ref-sequel-deadline-128-0[127]

In October 2024, 20th Century Studios president Steve Asbell said,
"We're working on a sequel idea now. We haven't quite closed our deal
with Fede [Álvarez], but we are going to, and he has an idea that we're
working on."cite-ref-sequel-thr2-129-0[128] By February 2025, Álvarez confirmed that he is
currently writing the script for a sequel stating that it would be the
next project on which he begins production, and principal photography
tentatively scheduled for later that year.cite-ref-sequel-collier-130-0[129] In June, Álvarez stated
that pre-production for the sequel was underway, with filming slated to
begin in October.cite-ref-131[130]

Notes

cite-note-4a. ↑ As depicted in Alien (1979)

References

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cite-note-num-22. "Alien: Romulus – Financial Information". The Numbers. Nash Information Services, LLC. Retrieved November 11, 2024.
cite-note-bom-33. "Alien: Romulus". Box Office Mojo. IMDb. Retrieved November 11, 2024.
cite-note-spaenymerced-54. ↑ citerefkroll2023Kroll, Justin (March 2, 2023). "Isabela Merced Joins Cailee Spaeny In New Alien Movie For 20th Century And Scott Free". Deadline Hollywood. Archived from the original on March 2, 2023. Retrieved March 2, 2023.
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cite-note-earl-76. ↑ citerefearl2024Earl, William (August 17, 2024). "Trapped in a Hole for Days and Covered in Blood and Lube, 'Alien: Romulus' Star Aileen Wu Breaks Down What It's Like to Battle Facehuggers and Chestbursters". Variety. Archived from the original on September 1, 2024. Retrieved August 31, 2024.
cite-note-4-87. ↑ Total Film, "Cover Story: Unsafe Space", August 24, p. 36: "Bjorn's adopted sister Navarro (Aileen Wu)"
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cite-note-blackgoo-2423. ↑ citereftaylor2024Taylor, Drew (August 17, 2024). "Alien: Romulus: The Black Goo, Explained". TheWrap. Archived from the original on August 17, 2024. Retrieved August 18, 2024.
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cite-note-prometheus-2625. ↑ citerefgilchrist2024Gilchrist, Todd (August 17, 2024). "Alien: Romulus' Director on the Ending's Insane New Monster and Resurrecting [Spoiler] From Alien: His Family 'Was on Board With This Idea'". Variety. Archived from the original on August 17, 2024. Retrieved August 18, 2024.
cite-note-2726. ↑ citerefhermanns2024Hermanns, Grant (August 17, 2024). "Alien: Romulus Ending's Connection To Resurrection & Prometheus' Engineers Addressed By Director". Screen Rant. Archived from the original on August 18, 2024. Retrieved August 18, 2024.
cite-note-2827. ↑ citerefmathai2024Mathai, Jeremy (August 15, 2024). "Alien: Romulus Pays Tribute To A Beloved Alien Video Game". /Film. Archived from the original on August 15, 2024. Retrieved August 15, 2024.
cite-note-easter-2928. ↑ citereffarley2024Farley, Jordan (August 12, 2024). "Alien: Romulus director explains his new film's big Alien: Isolation Easter egg". GamesRadar. Archived from the original on August 12, 2024. Retrieved September 24, 2024.
cite-note-3029. ↑ citerefkaloi2024Kaloi, Stephanie (August 24, 2024). "'Alien: Romulus' Director Says 'The Last of Us' Inspired Pregnancy Storyline". TheWrap. Archived from the original on September 24, 2024. Retrieved October 8, 2024.
cite-note-3130. ↑ citerefdedmon2024Dedmon, Tanner (August 24, 2024). "Alien: Romulus Director Confirms One Connection to The Last of Us". comicbook.com. Retrieved October 8, 2024.
cite-note-3231. ↑ citerefegan2024Egan, Toussaint (August 18, 2024). "The Wild Robot, Alien: Romulus, Netflix's The Shadow Strays, and every movie new to streaming this week". Polygon. Archived from the original on November 27, 2024. Retrieved October 23, 2024.
cite-note-3332. ↑ citerefmilici2024Milici, Lauren (September 26, 2024). "Alien: Romulus gets a digital release date – and it's coming with a guide to all the Easter eggs you probably missed". Yahoo Entertainment. Retrieved October 23, 2024.
cite-note-3433. ↑ citerefkroll2022Kroll, Justin (November 16, 2022). "Cailee Spaeny Circling New Alien Movie At 20th Century And Scott Free". Deadline Hollywood. Archived from the original on November 16, 2022. Retrieved November 16, 2022.
cite-note-3534. ↑ ALIEN: ROMULUS Cast Reveal Their Secret Audition Stories With Archie Renaux & Isabela Merced. Archived from the original on August 22, 2024. Retrieved August 22, 2024.
cite-note-productiondesigner-3635. citerefjardim2024Jardim, Douglas (September 4, 2024). "Production designer Naaman Marshall adopted "utilitarian" approach for Alien: Romulus". Dezeen. Archived from the original on September 25, 2024. Retrieved October 8, 2024.
cite-note-3736. ↑ citerefalexa2023Alexa, LaurΓ©n (March 10, 2023). "Cast of Upcoming Untitled Alien Film Revealed". Animation World Network. Archived from the original on April 11, 2023. Retrieved March 28, 2023.
cite-note-3837. ↑ citerefd-alessandrokroll2023D'Alessandro, Anthony; Kroll, Justin (May 2, 2023). "How WGA Strike Could Impact Movies Gearing Up For Production". Deadline Hollywood. Archived from the original on May 3, 2023. Retrieved May 3, 2023.
cite-note-3938. ↑ citerefdela-paz2023Dela Paz, Maggie (July 4, 2023). "Alien: Romulus Wraps Production, Director Fede Álvarez Celebrates". ComingSoon.net. Archived from the original on July 4, 2023. Retrieved July 4, 2023.
cite-note-4039. ↑ citerefcasio2024Casio, Jerome (July 27, 2024). "Alien: Romulus Filmed Chronologically, Director Details Practical Xenomorphs & Teases "Many Deaths"". Screen Rant. Archived from the original on July 27, 2024. Retrieved August 6, 2024.
cite-note-ringer-big-picture-4140. ↑ citereffennesseychris-ryan2024Fennessey, Sean; Chris Ryan (August 16, 2024). "Alien: Romulus and the Alien Movie Rankings". The Ringer. Retrieved August 23, 2024.
cite-note-prac1-4241. ↑ citerefsimons2024Simons, Roxy (August 19, 2024). "How the Alien: Romulus Xenomorph was made". Yahoo! Movies. Retrieved September 19, 2024.
cite-note-prac2-4342. ↑ citerefnavarro2024Navarro, Meagan (August 14, 2024). "'Alien: Romulus' Review – An Immersive, Visceral Salute to the Franchise's Greatest Hits". Bloody Disgusting. Archived from the original on September 17, 2024. Retrieved September 19, 2024.
cite-note-prac3-4443. ↑ "Fede Alvarez Reveals His Inspiration for Alien Film Romulus". Media Indonesia (in Indonesian). August 19, 2024. Archived from the original on August 25, 2024. Retrieved September 19, 2024.
cite-note-aliendesign-4544. ↑ citerefholub2024Holub, Christian (September 24, 2024). "Why Alien: Romulus pits the Xenomorph against a younger crew". Entertainment Weekly. Archived from the original on September 10, 2024. Retrieved September 19, 2024.
cite-note-4645. ↑ citerefabercrombie2024Abercrombie, Dana (August 14, 2024). "Alien: Romulus Is "Science-Fiction War" and Fede Alvarez's Job Was to "Be the War Photographer"". thekoalition.com. Archived from the original on September 8, 2024. Retrieved November 25, 2024.
cite-note-laweekly-4746. ↑ citerefcorrigan2023Corrigan, Kalyn (September 5, 2023). "BUILDING NIGHTMARES: SHANE MAHAN GIVES A BEHIND-THE-SCENES DIVE INTO THE SPECIAL EFFECTS OF 'ALIEN: ROMULUS'". LA Weekly. Archived from the original on September 18, 2024. Retrieved September 19, 2024.
cite-note-lens-4847. ↑ citereftangcay2024Tangcay, Jazz (August 26, 2024). "How 'Alien: Romulus' DP Galo Olivares Captured That Gruesome Chestbursting Scene". Variety. Archived from the original on September 25, 2024. Retrieved September 25, 2024.
cite-note-arri-4948. ↑ "Trailer for 'Alien Romulus', produced by Ridley Scott and directed by Fede Álvarez". cameraandlightmag.com. March 22, 2024. Archived from the original on September 26, 2024. Retrieved September 25, 2024.
cite-note-cgi-5049. ↑ citereffrei2024Frei, Vincent (August 27, 2024). "Art of VFX: Alien Romulus". Art of VFX. Archived from the original on September 7, 2024. Retrieved October 8, 2024.
cite-note-5150. ↑ citerefbrooks-dan2024Brooks, Dan (November 21, 2024). "How ILM Helped Fede Álvarez Bring 'Alien: Romulus' Back to the Series' Horror Roots". Industrial Light & Magic. Retrieved April 6, 2025.
cite-note-prommachina-5251. ↑ citereffailes2024Failes, Ian (October 27, 2024). "How miniatures were made on 'Alien: Romulus'". BeforeandAfters. Retrieved April 16, 2024.
cite-note-miniature-5352. ↑ citerefcolangelo2024Colangelo, BJ (August 17, 2024). "Alien: Romulus Tops Alien: Covenant In One Key, Fan-Pleasing Way". Slashfilm. Retrieved October 8, 2024.
cite-note-miniature2-5453. ↑ citereffailes2024Failes, Ian (July 21, 2024). "See one of the miniature ships from 'Alien: Romulus'". BeforeandAfters. Retrieved October 8, 2024.
cite-note-5554. ↑ "Benjamin Wallfisch Scoring Fede Alvarez's Alien: Romulus". Film Music Reporter. March 20, 2024. Archived from the original on April 15, 2024. Retrieved March 20, 2024.
cite-note-5655. ↑ citerefgilchrist2024Gilchrist, Todd (August 18, 2024). "Alien: Romulus Score From Benjamin Wallfisch, Which Pays Homage to Jerry Goldsmith and James Horner, Due on Vinyl in November". Variety. Archived from the original on August 15, 2024. Retrieved August 18, 2024.
cite-note-5756. ↑ citerefbria2024Bria, Bill (August 17, 2024). "Alien: Romulus Proves That The Entire Series Has Always Been About One Thing". /Film. Archived from the original on August 18, 2024. Retrieved August 18, 2024.
cite-note-soundtrack-5857. ↑ "'Alien: Romulus' Soundtrack Album Details". Film Music Reporter. August 18, 2024. Archived from the original on August 14, 2024. Retrieved August 18, 2024.
cite-note-5958. ↑ citerefcremona2024Cremona, Patrick (August 16, 2024). "Alien: Romulus soundtrack and score – What music features in the new film?". Radio Times. Archived from the original on August 17, 2024. Retrieved August 18, 2024.
cite-note-6059. ↑ citerefgilchrist2024Gilchrist, Todd (August 15, 2024). "'Alien: Romulus' Score From Benjamin Wallfisch, Which Pays Homage to Jerry Goldsmith and James Horner, Due on Vinyl in November". Variety. Archived from the original on August 15, 2024. Retrieved November 23, 2024.
cite-note-opening-6160. ↑ citerefd-alessandro2024D'Alessandro, Anthony (August 18, 2024). "Alien: Romulus $41M+ Scores Record Openings For Fede Alvarez & Cailee Spaeny; 2nd Best For Franchise – Sunday Box Office Update". Deadline. Archived from the original on August 16, 2024. Retrieved August 19, 2024.
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cite-note-6362. ↑ citerefchuba2024Chuba, Kirsten (August 13, 2024). "Ridley Scott Was "Hugely Relieved" When First Watching Alien: Romulus, but Gave Notes That Made Fede Álvarez "Punch the Door"". The Hollywood Reporter. Archived from the original on August 13, 2024. Retrieved August 17, 2024.
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cite-note-7675. ↑ "Weekend Preview: Alien: Romulus Aims to Topple Deadpool & Wolverine?". Boxoffice Pro. August 14, 2024. Archived from the original on August 15, 2024. Retrieved August 14, 2024.
cite-note-7776. ↑ citerefmcclintock2024McClintock, Pamela (August 16, 2024). "Box Office: Alien: Romulus Bares Sharp Teeth With $6.5M in Thursday Previews". The Hollywood Reporter. Archived from the original on August 16, 2024. Retrieved August 16, 2024.
cite-note-7877. ↑ "Domestic 2024 Weekend 33". Box Office Mojo. Archived from the original on September 6, 2024. Retrieved August 20, 2024.
cite-note-deadline-aug25-7978. ↑ citerefd-alessandro2024D'Alessandro, Anthony (August 25, 2024). "'Deadpool & Wolverine' Pulling Feathers Off 'The Crow' & Putting 'Blink Twice' To Sleep As Summer Winds Down – Sunday AM Box Office". Deadline. Archived from the original on August 23, 2024. Retrieved August 25, 2024.
cite-note-8079. ↑ "Domestic 2024 Weekend 34". Box Office Mojo. Archived from the original on August 25, 2024. Retrieved August 26, 2024.
cite-note-the-new-york-times-alien-romulus-8180. ↑ citerefbarnes2024Barnes, Brooks (August 18, 2024). "Alien: Romulus Solidifies Disney's Box Office Rebound". The New York Times. Retrieved August 18, 2024.
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